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Madaling chords ng gitara ng Poo Poo La La ni
Roy Ayers
Roy Ayers

N/A•
Intro 1
Bm
Bdim
D
C
Bb
Am
A
D
Am
C

Bdim
F
B

Cm
C
Bb
Am

Verse 1
Dm
Am
E
Bm
Bdim
Cm

Let Me Kiss you
C
Bb
Am
A

On your pitu dalla
D
Bm
Bdim
Dm
C

Let me kiss you
Bb
Am
A
D
Am

On your poo -poo, la -la
Bdim
Bb
Eb

She was the kind of woman
C

that would trim your toenails
Bb
Am

at 5 o 'clock in the morning
A
D

She was honest, long, sincere,
Am

dedicated, understanding
C
Bm

She was everything a man could
Bdim
Eb

ever want a woman to be
Am
C

She was everything to me
Bb

and she was my woman
Am
C#dim
D

I can remember the first time we met
Dm

In New York City, Central Park
Bdim
Dm
Eb
Am

I was wearing a pair
C

of white sneakers
Bb
Am

An d a pair of white shorts
A
D

And I had a white t -shirt on
Am
C

with the inscription that read in the front of it,
Bm
Bdim

Earth, Wind, and Fire.
Am

You could not tell me
C
Bb
Am

that I was not good to go.
C#dim
D

Oh, we got married.
Am
C

Wait, two days later we

got married
Bm

and everything was cool.
Cm
C

For about four years.
Bb

And that's when the other voices
Am

came into the picture.
A

You know what I'm talking about
D
Am

when I say the other voices?
Bm

You know, Mary said that Roy was
D#dim
C

running around with Harriet and Beverly
Bb
Am

and and got back to the
A
C#dim

home front.
D
Am

And me and my old ladies dug going
C
Bm

through the repetition cycle
Dm
Ebdim

of splitting up and coming back together
Am
C

And splitting up and coming back together
Bb
Am
A

till it just got ridiculous
D
Am

You know what she said?
C
Bm

She said, Roy

I said, yo
Dm
Eb

She said, Roy,
C

if you don't stop playing that music
Bb

running all over the country
Am

like you crazy or something

I'm gonna leave you
A
D

I could not believe my ears
C

So I went outside
Am
Bm

and took a walk around the block
Dm

I came back in the house
Eb
Am

and I walked up to her
C
Bb

I said, come again
Am

She said, if you don't stop
A

playing that music
D

running all over the country

like you crazy or something
Am
C

I'm gonna leave you
Bm
Bdim

You know what I told him?
Cm
C

Bye.
Bb
Am

Now I don't want to sound cold,


I don't want to sound hard,
A
D

but you know,
Am
C
Bdim

a man can only take so much.
Am
Eb
Am

And that was too much for me.
C

Let me go back,
Bb

let me just forget about
Am

that negative thing.
A

Let's go back to the positive.
D

Remember when we
C

were in the park?
Bm

We had a blanket
Eb

and we were laying there in the park.
Am

I'm going to tell you the
C

first words
Bb

I whispered in the air.
Am

I pulled her closer to me
C#dim
D

and I said these words to her.
C

Check this out.
Bm
Bdim
Am
Cm
Am
C

Let me kiss you on your
Bb
Am
C#dim
D

pu -pu -la -la
Bm
C
Bm
Bdim
Eb
C

Oo h, baby
Bb
Am

You've got to let me kiss you,
A
D
Am

kiss you
Bm
Bdim
F
Am
C

Let me squeeze you on your
Bb
Am
C#dim
D
C

ti -o -ta -ta
Am
B
Bdim

Oo h, baby
Dm
Am
C
Bb
Am

I you've got to let me kiss you,
A
D

kiss you
F
Am
Bm

I squeezed you real tight and I said
Dm
Eb
C
Am

Jack and Jill went up the hill
A
D
C
Bdim

To fetch a pail of water
Dm
D
Am

Jack fell down and broke
C
Bb
Am

his crown
A
D
Am

Jill said
Dm
Am

Just don't break your poo -poo, la -di -da

Oh, yeah
D
Am
C
Bm
Bdim

Anyway, four years passed
Dm
Ebdim
Am
C

And there I am sitting in my R
Bb
Am
A

-A -N -Y -C -B -A -P -T
D

Roy Harris, New York City,
C
Am

bachelor apartment, doing my thing
Eb
E

Minding my own business
C

As a matter of fact,
Bb
Am
A

I was looking at the television
D
Am
Bm

And the telephone rang
Cm
Am

At that time I had incorporated
Em
C

into my voice pattern
Am

what I call my Barry White
C#dim

approach.
D
C

And I picked up the phone and I said,
Bm
Am
Bdim
Cm
C

Hello.
Bb

There was no answer.
Am
C#dim
Bm
Am

I said it once again, Hello.
G
Cm

And this voice came on the phone.
Am
C

It sounded just like this.
Bb
Am
C#dim
D

Am
Bm
Am

Time went by and we
A
D
Am

both learned
C
Am
Eb
Dm

Lonely nights increase
C
Bb
Am
A
D

our pain
C
Am
Dm

Don't you think, don't you think
Am
C
Am
A
D

we should grow up?
C
Bm
Am
F
Am

Let's rebuild our
C
Bb
Am
A
D

family tree
Bm
Bdim

Still loving you,
D#
C
A#
Am

whether you're right or wrong
A
D
C
Bm
Dm

Baby, baby, boo -boo -la -la
Eb
C
Am
C
Bb

Means I love you
Am
A
G#m
G
D

boy
C#
Em
G
Em
Am

Poo poo la la means
Adim
F
Bb

I love you
Am
Dm
Bb

Love you, love you, love you boy
Em
Am
Eb
Bb

Poo poo la la means I love you
Dm
Bb

Won't you please listen to me
Em
Bm
Em
A

Boo -boo -la -la means
Adim
Eb
C#dim
Dm

I love you
Bb

I love you

Yes I do
Em
Bm
Em
Bb
Am

Boo -boo -la -la means
Adim
Am
A

I love you
Dm
Bb

I love you tender, I love you sweet

Boo -boo -la -la
Bdim
Dm
Am
C
Bb

Boo -boo -la -la means I love you
Am
A
D
Am

I love you
C
Am
B
Cm
Am
C
Bb

Boo boo la la, yes I love you
Am
A
D

I love you baby
C
Am
Bb
Am

Boo boo la la, yes I love you
D
Am

Baby, don't you know
Dm
Bdim
Am

Boo boo la la, yes I love you
Bb

I love you, I love you
D

More than you'll ever know,
Outro 1

baby
Am
C
Bb
D

C


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Matutong tumugtog ng Poo Poo La La ni Roy Ayers gamit ang GuitarTuna

Matutunan ang Poo Poo La La ni Roy Ayers sa gitara at tuklasin ang 10000 tabs na ginawa ng aming mga sertipikadong editor.

Kung ikaw ay natututo ng Poo Poo La La ni Roy Ayers sa unang pagkakataon o pinapahusay ang iyong kakayahan, mas pinadadali ng GuitarTuna ang pag-eensayo sa gitara, bass, at piano. Sumali sa 2 Milyong musikero na pinatutugtog na ang kanilang mga paboritong kanta gamit ang GuitarTuna. Na-rate ng 4/5 sa App Store.

Isang acoustic guitar head na may tuning pegs

Tuning:Standard Open Tuner
Mga chord

  • Bm

    2

  • Bdim

  • D

  • C

  • Bb

  • Am

  • A

  • F

  • B

    2

  • Cm

    3

  • Dm

  • E

  • Eb

    6

  • C#dim

    4

  • D#dim

  • Ebdim

  • Em

  • G

  • D#

    6

  • A#

  • G#m

    4

  • C#

    4

  • Adim

Capo: 5

I-transpose: 0

0

Autoscroll20%

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