The Horror In Clay

The Horror In Clay madadaling guitar chords ni Mark E. Smith

N/A
Gitara
Pag-tune

E A D G B E

Capo

Fret 1

Capo

I-transpose

0

Capo

  • Gm

    3

  • F#m

    2

  • Abm

    4

  • G

  • D

  • F

  • Bm

    2

  • Fm

  • Gbm

    2

  • C

  • E

  • E#

  • C#

    4

  • Gm

    3

  • F#m

    2

  • Abm

    4

  • G

  • D

  • F

  • Bm

    2

  • Fm

  • Gbm

    2

  • C

  • E

  • E#

  • C#

    4
    • Verse 1
    The most 
    merciful thing in 
    the world is man's 
    inability to 
    correlate all 
    of his 
    mind's 
    con
    tents, 

    but the sciences one 
    day 

    Some 
    say it 
    is already upon us 
    will eventually open 

    up such 
    terrifying vistas 
    of 
    reality 

    It 
    will either 
    go 
    mad from the revelation 

    or flee 
    into blissful 
    sleep 

    Peace 
    and safety 
    of another 

    new dark 
    age. 
    I'm 

    Mark 

    Edward 

    Smith 

    These words 
    are 

    H .P. 

    Lovecraft's. 

    We 
    give you 
    the horror 
    in clay 


    Yeah, 
    I'm 
    just working on 
    this head at the 
    moment, 

    I need to put 
    more scales 
    on the body 

    as 
    well and tend 
    to flow 
    a bit more with the 

    body, get a few 
    more curves 
    in there, 

    lies next to 
    and above 
    its 

    Cornwall. 

    Its 
    slight 
    accent 
    into 

    C 
    .C. 

    Sheffield 

    Cornwall. 

    The professor 
    knows the 
    youth is completely 
    ignorant 
    of pagan, 


    cryptoch, 
    or 
    biblical law. 

    He ponders 
    and reflects 

    over the sculpture. 

    Professor phones 
    sculpture, 

    who says, 

    As I said, 
    it was a 
    dream of 

    dark 
    dripping stone, 

    of 
    a fractured 
    voice 
    whose 

    vowels 
    were impenetrable. 

    I 
    was not 
    stoned, 

    Professor, 
    honestly. 

    My grant 
    has run 
    out, 

    but the only 
    two vowels 
    or sounds 

    frequently 
    repeated 
    that I 

    could make 
    out were... 

    Pffft! 

    He's 
    a 
    lot. 

    He 
    brings out 
    a key 
    given to 
    him 
    by his 

    on -call 
    executor. 

    Contents 
    are 
    clay -baths 
    re
    lieved, 

    with 
    bits 
    of fever 
    jotted 
    and 
    strewn around 

    inside 
    the packing. 

    The 
    bas 
    -relief 
    is 
    rectangle, 

    6 
    inches by 
    5 
    inches, 
    1 inch 
    thick. 

    The 
    peri
    glyphics, 
    neither an
    cient 
    nor 
    modern, 

    sort of 
    comal 
    slash 
    modern art. 

    On top 
    is a 
    creature, 

    as 
    if just 
    made. 

    Description, 
    cross between 
    octopus, 

    human, 
    dragon. 

    Huffbeam, 
    tentacles, 
    head, 
    scaly body, 

    half -grown wing
    s. 


    Be
    hind 
    this 
    is 
    a small 
    2x4 
    vista, 
    ionic 
    column, 

    at
    tached to 
    a 
    large sheet 
    of paper 
    with large 
    felt 
    pen 
    writ
    ing 
    say
    ing 

    Kitha
    loo, 

    Kitholoo, 

    Kithoo
    loo 
    called. 

    Martin 
    reads 
    the two columns. 

    1. 

    Dream 
    and 

    Dream, 
    work 
    of 

    H. 

    A. 

    Wilcox. 

    No 
    relation 
    to 

    Toy
    ah. 

    7. 

    Newburgh, 

    Urry, 

    Urry
    , 

    Urry 

    Street. 

    Pen
    zance. 

    The 
    professor 
    phones 

    the sculptor 
    who 
    says 

    As 
    I said, 
    it 
    was a dream 
    of 
    dark dripping 
    stone, 

    of a fractured 
    voice 
    whose 
    vowels 
    are 
    impenetrable. 

    Mental 
    illness 
    group 

    Folly, 
    see in sight. 

    Bearing a 

    Penzance 

    Bay 

    Gazette heading 
    dated 
    1969. 

    Comfortable 
    leafy 
    suburb, 
    green lilac, 

    German 
    type houses, 
    a lot of dark green, 

    ominous, 
    pale thin 
    youth. 

    Pretentious walks 
    up, 
    hesitatingly, 

    to the front of 
    a house with a package. 

    It looks 
    like a cross between 

    so -and -so and 
    the singer out of 
    awe. 

    He 
    is nervous and 
    affected. 

    A balding 

    Mike 

    Hiltag 
    comes to the door. 

    He is a professor, 

    Martin's 
    great -uncle. 

    Trump recognises 
    him. 

    The son 
    of a respected family 
    knows him. 

    And 
    he'd been in 

    Scotland 
    all over. 

    Youth 

    Hands 

    Prop 

    Package. 

    It 
    is plain vast 
    relief, 

    but not before saying, 

    I made this 
    last night 
    in a dream of cities, 

    new and old, 
    dreams older 
    than the 

    Gaelic 

    Sea or 
    the 

    Old 

    Atlantic, 

    or 
    the garden -girdled 

    Babylon that 
    lies next to 

    and above its 

    Cornwall. 

    Its slight 
    accent 
    into 

    CC 

    Sheffield 

    Cornwall. 

    The 
    professor 
    knows the youth 
    is completely 
    ignorant of 
    pagan, 

    cryptic or 
    biblical law. 

    He ponders 
    and reflects 
    over the 

    sculpture. 

    Professor phones 

    Sculpture, 
    who 
    says, 

    As I said, 
    it was 
    a dream of 
    dark dripping 
    stone, 

    of a fractured 
    voice 
    whose vowels 
    were 
    impenetrable. 

    I 
    was not 
    stoned, 

    Professor, 
    honestly. 

    My grant 
    has run out, 
    but 
    the only two 
    vowels 
    or sounds 

    frequently 
    repeated 
    that 
    I could 
    make out 
    were 

    that's 

    very 
    present. 

    Dav
    id 
    one 
    nine 
    six 
    nine 

    six, 
    nine, 
    one, 
    nine, 
    six, 

    nine, 
    one, 
    nine, 
    six, 
    nine. 

    Bye. 

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