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Chords ng The Horror In Clay ni
Mark E. Smith
Mark E. Smith

N/A•
Verse 1
Gm
F#m
Gm

The most merciful thing in the world is man's inability to correlate all of his mind's contents,

but the sciences one day
F#m

Some say it is already upon us will eventually open
Gm
Abm

up such terrifying vistas of reality
F#m
Gm

It will either go mad from the revelation
F#m

or flee into blissful sleep

Peace and safety of another

new dark age. I'm
Gm

Mark

Edward

Smith
F#m

These words are

H .P.

Lovecraft's.
Gm
F#m

We give you the horror in clay

G
D

Yeah, I'm just working on this head at the moment,
F#m

I need to put more scales on the body

as well and tend to flow a bit more with the

body, get a few more curves in there,

lies next to and above its

Cornwall.

Its slight accent into

C .C.

Sheffield

Cornwall.

The professor knows the youth is completely ignorant of pagan,


cryptoch, or biblical law.

He ponders and reflects

over the sculpture.

Professor phones sculpture,

who says,

As I said, it was a dream of

dark dripping stone,

of a fractured voice whose

vowels were impenetrable.

I was not stoned,

Professor, honestly.

My grant has run out,
F
F#m

but the only two vowels or sounds

frequently repeated that I

could make out were...

Pffft!

He's a lot.
F

He brings out a key given to him by his
F#m

on -call executor.
D
F#m
G

Contents are clay -baths relieved,
F#m
G
Bm

with bits of fever jotted and strewn around
G
F
Fm

inside the packing.
F
G
F

The bas -relief is rectangle,
G
F

6 inches by 5 inches, 1 inch thick.
G
D
G
Fm

The periglyphics, neither ancient nor modern,
F

sort of comal slash modern art.

On top is a creature,
G

as if just made.
D
F#m

Description, cross between octopus,

human, dragon.
F
D

Huffbeam, tentacles, head, scaly body,
F#m
F
D

half -grown wings.
F

G
F

Behind this is a small 2x4 vista, ionic column,
F
F
C
G
F

attached to a large sheet of paper with large felt pen writing saying
D

Kithaloo,
E#

Kitholoo,
F

Kithooloo called.
E
F

Martin reads the two columns.
G

1.
F#m
D

Dream and
F#m

Dream, work of
D

H.
Fm

A.

Wilcox.
E#
D

No relation to
E#m

Toyah.
E
F#m

7.
E#

Newburgh,

Urry,
F#m

Urry,

Urry
C#
F#m

Street.
E#

Pen zance.
C#

The professor phones
G
E

the sculptor who says

As I said, it was a dream of dark dripping stone,
E

of a fractured voice whose vowels are impenetrable.

Mental illness group

Folly, see in sight.

Bearing a

Penzance

Bay

Gazette heading dated 1969.

Comfortable leafy suburb, green lilac,

German type houses, a lot of dark green,

ominous, pale thin youth.

Pretentious walks up, hesitatingly,

to the front of a house with a package.

It looks like a cross between

so -and -so and the singer out of awe.

He is nervous and affected.

A balding

Mike

Hiltag comes to the door.

He is a professor,

Martin's great -uncle.

Trump recognises him.

The son of a respected family knows him.

And he'd been in

Scotland all over.

Youth

Hands

Prop

Package.

It is plain vast relief,

but not before saying,

I made this last night in a dream of cities,

new and old, dreams older than the

Gaelic

Sea or the

Old

Atlantic,

or the garden -girdled

Babylon that lies next to

and above its

Cornwall.

Its slight accent into

CC

Sheffield

Cornwall.

The professor knows the youth is completely ignorant of pagan,

cryptic or biblical law.

He ponders and reflects over the

sculpture.

Professor phones

Sculpture, who says,

As I said, it was a dream of dark dripping stone,

of a fractured voice whose vowels were impenetrable.

I was not stoned,

Professor, honestly.

My grant has run out, but the only two vowels or sounds

frequently repeated that I could make out were
D
E

that's
E

very present.
D
D
E

David one nine six nine

six, nine, one, nine, six,

nine, one, nine, six, nine.

Bye.

Nagustuhan mo ba ang kanta?

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