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Mr Trump madaling mga kord ng gitara ni
The Pocket Gods
The Pocket Gods

N/A
Intro 1
D
Em
D
Em
D
Em

D
Em
D
Em
D
Em

Verse 1
Em

So as you know,

you're the fat cat developer,
D

and you know the book on you
Em
F
Em

is that you throw little old ladies

who can't afford to rent

part of the apartment.

I don't think that's the book on me,

if you want to hear

I don't think it is at all.

I think probably it's just the opposite.

We have very wealthy people

in this particular building.

We have a building on 100

Central Park South.

Probably the best piece of real estate

in New York and the world.

We have very wealthy people,

extremely wealthy people

living in this building.

We a second home.

It's quite accurate to say

that every occupant

is an extremely wealthy person.
D
Em

No, the ones that are complaining

are the wealthy.

The ones that are complaining

are the wealthy.
E

These are people with a lot of money.
Em

One of them is a brownstone.

A number of brownstones

in this 66th district
E

which is living in this building
Em

for a rent -controlled rent.

The rent -controlled people,

the people that need rent control,

they're not the ones that are protected.

It's people that are usually wealthy

with a lot of influence

that have the connections

to get a rent -controlled apartment.
D

People that might need it,
Em
Bbaug
D
Em

they don't have to pay rent.

And it's a little fast.

I mean, that's a little bit like saying,

you know, people are out of

work

because they're lazy.

Well, I think it may be,

well, first of all, let's, let's, the, uh, the building I'm setting up for myself, you can settle,

you own it, and you, you make your deal with all the residents,

you're more than happy it. uh,

back to this, uh, this lawsuit.

So you hire, uh, Roy Cohn,
E

and he goes to work, and you own it.
Em

Cohn doesn't like lawyers either,

because they always want to settle,
D
Em

and you don't like that about lawyers.

The idea of settling drove me crazy.
D

The fact was that we did rent to
Em

black -owned buildings.
D

What we didn't do was
Em

rent to welfare cases,

white or black.

Watch what happened when the government

came after Samuel Lefranc, another builder,
D
Em

and he caved in,
D

starting taking welfare cases.
Em
D
Em

They virtually ruined his building.

Um...
D

Welfare cases ruined his building.
Em

Isn't that... I got you

pretty close here to...

To look like an insensitive guy
D
Em

from atop your Trump Tower
D
Em

looking down on the woman rank
D
Em

over the vast homes of your

own empire.
D

shouldn't we have just a little

more understanding
Em

from a man of your influence and wealth on the issue of making

New York livable for all of us safely on the subway easily?

If the answer is absolutely,

then we can't continue

to give you guys

these big tax breaks.

And that would go for General Electric

and NBC too.

You tell us in your own book

that you wouldn't have money

on the Trump Tower in New York or
E
D
Em
D
Em

in other places.


Trump Tower goes,
D
Em

and I'm not entitled,

I'm the only building in

the city of New York

that's not entitled.

I don't think that's a good thing.
D
Em

Look at the, look at the location

of your building.
D
Em

What locations in the world

have funded this?
D
Em

Sure, there are other

wonderful locations.
D

Also, they're also get
Em

ting tax abatements.

I won the case,
D

they didn't give it to me.
Em

It took me two and a half years in court.

I won it seventh
E
Em
D

and I've been in three different courts.
Em

I'm very happy about it.
D
Em

I didn't win it because I so much needed it
D
Em

as much as because of the moral principle
D
Em

of using pedophilia.

If nobody's going to get it,

I'm satisfied.
E
A

If everybody's going to get it,
E

I shouldn't be the only one
Em
E
F#m

that's not getting it.
Em
E
A
E

And I know you well enough to know
A
D

that you wouldn't take it easy.
E
Em

If you were in my position,
E

you wouldn't take that.
Em
E
Em
E

So, that's what happened.
F#m
E

Hey, let's hear it for the rich folk!

But, you tell us also in your book,

you left Queens

and you left Brooklyn for Manhattan

to, uh, to get away from rent control.

You're, you're earnest

to tell us in this

Well, I'm earnest.

Hey, I'm not running for anything.
E

I'm not running for, uh,

because I don't have to lie in a book.
Em

I want to tell the facts, okay?
E
D

I mean, do you want me to say
F#m
E

Little Figs and Little This and Little That

and how much we all love rent control

and what a great thing it's

been for New York?

It's been a disaster for New York.

It's badly hurt New York.

It's crippled New York.

It's made it impossible
Em
E
E

for a lot of people

to live in New York.
Em
E

And you see what's happening.
Em

You look at the Bronx.
E

You look at certain parts of

Queens and Brooklyn.

You see what rent control's done.
E

And I think you know it as well

as anybody else.

Rent control, and I'm one of the
E

few de velopers in the world

that would ever say it.

Some forms of rent control

are sometimes necessary,
E

to protect the elderly,
E

to protect people

that truly don't have the money,
Em
E

but when you have multi -millionaires,
C#m

and not all instances of this.
C#m

C#m

C#m



You

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Mga chord
  • D

  • Em

  • F

  • E

  • Bbaug

  • A

  • F#m

    2
  • C#m

    4

Capo: 0

I-transpose

0

Autoscroll20%

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