Susi: D minor
Verse 1
breaking every taboo
Bm
Am
Bm
Am
Installing the girl in the army H.Q.
C
And she's an actress, the last straw
between her thighs
Bm
Am
She should stare at the ceiling,
Bm
Am
not reach for the skies
C
Am
Or she could be his last
C
Am
whore
G
D
The evidence suggests
C
D
She has other interests
G
D
If it's her who's using him
C
D
C
Am
He's exceptionally dim
Bitch!
Fm
C
We have allowed
Verse 2
C#
Am
ourselves to slip
F
C
Am
C
We have completely lost our grip
Am
We have declined to an all- time low
C
Am
C
Am
Tarts have become the set to know
Verse 3
Am
It's no crime for officers
to do as they please
Bm
Am
As long as they're discreet
Bm
Am
and keep clear of disease
C
Am
We ignore, we disregard
But once they allow a bit on the side
Bm
Am
To move to the center
Bm
where she's not qualified
Am
We should all be on our guard
G
D
She should get into her head
she should not get out of
C
D
C
Am
bed
G
D
She should know that she's not paid
C
D
Am
To be loud but to be laid
Slut!
Dangerous Jade!
F
C
This has really been
Verse 4
C#
G#
your year Miss Duarte
F
C
Tell us where you go from
Bbm
C
Which are the roles
C
F
C
F
Whom did you dine with yesterday?
C
F
Acting is limiting the
Verse 5
F
C
That's no help to the Argentine
F
Am
Can we assume then
Verse 6
that you'll quit?
Bm
Am
Bm
Is this be cause of your involve
Am
C
ment with Colonel Peron?
Goodnight and thank you
Verse 7
happy
by her nights on the tiles
Bm
Am
She says it's his body
Bm
but she's after his files
Am
So get back onto the street!
G
D
She should get into her head
C
D
She should not get out of bed
G
D
She should know that she's not paid
C
D
C
Bb
To be loud but to be laid
G
D
The evidence suggests
D
G
D
Am
D
If it's her who's using him
Verse 8
D
She should get into her head
G
D
(To see an underdog succeed)
She should not get out of bed
(Is the encouragement
I need)
G
not paid
if she could make it)
To be loud but to be laid
(By her efforts in the sack)
C
G
The evidence suggests
D
(Then a man who offers more,
he would have the world)
She has other interests
C
G
(The pathway to his door)
D
If it's her who's using him
Verse 9
C
Things have reached a pretty
pass
C
When someone pretty lower class
graceless an vulgar, uninspired
Bm
Can be accepted and admired
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