Intro

Intro madadaling guitar chords ni Fairport Convention

N/A
Gitara
Pag-tune

E A D G B E

Capo

Fret 2

Capo

I-transpose

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Capo

  • F#m

    2

  • C#

    4

  • G

  • Cm

    3

  • F#

    2

  • E

  • A#

  • A

  • D

  • C

  • F

  • Em

  • F#m

    2

  • C#

    4

  • G

  • Cm

    3

  • F#

    2

  • E

  • A#

  • A

  • D

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  • F

  • Em

    • Verse 1
    Good evening. 

    We've got something 
    a little bit different tonight 

    for you. 

    We're going to tell you 
    the story. 

    Fairport 
    Convention, the story 

    so far. 

    You heard last night 

    how a bunch of middle 
    -class, well -behaved, 

    just -out -of -school kids 
    rose from 
    playing church 
    halls 
    an
    d bowling 

    to become 
    one of the most 
    original 

    and 
    much -loved bands 

    in Britain. 

    Original because 
    they were 

    alone 

    in the so -called under
    ground music 
    scene of 
    67, 

    68, 

    in performing short, 
    intelligent, 

    melodic 
    singer -songwriter 
    numbers, 

    usu
    ally from America, 

    an
    d 
    then proceeded 

    to invent 
    British folk rock 

    by 
    wedding traditional 
    songs 

    an
    d instrumental 
    tun
    es 

    to a 
    rock treatment. 

    Much 
    loved, 

    as 
    evidenced 
    by the tremendous 

    support 
    that the 
    band received 

    when it 
    experienced 
    the dreadful road 
    crash in 
    1969, 


    which 
    robbed it of its 
    drummer
    , 

    Martin Lamble. 

    John Peel, 
    no less, 

    writing at that 
    time 
    said, 

    this group 
    has brought me more 
    joy 

    during the 
    past two years 

    than any 
    other I can think of. 

    The things 
    they have 

    done for Radio 
    One 

    have brightened 
    weeks, 
    not 
    hours. 

    It is true, 
    therefore, 

    that any review 
    I write 

    will be coloured with 
    love. 

    Suffice 
    to say that the 
    record, 

    Unhalf Bricking, 

    made 
    me feel 
    warm and comfortable 

    and part of them. 

    It is 
    an 
    LP 

    that you will want to 
    hear daily 

    for a very long 
    time. 

    Fairport Convention, 

    we 
    love you very 
    much. 

    Judy, Simon, 
    Richard, 
    Tiger, DM, 

    and Swab, 

    you heard last night, 

    recreating 
    something of those 

    special 60s 
    days. 

    Ian wasn't 
    present, 

    but I'm 
    sure would have liked to 
    have been, 

    had 
    non -musical 

    considerations not 
    intervened. 

    As 
    for Martin, 

    you were 
    cheated of 

    the opportunity to hear 
    his playing. 

    We 
    have the 
    records, 
    the pictures, 

    the 
    memories. 

    I've no doubt 

    that he would have developed 

    into an 
    even more sensitive 

    and outstand
    ing drummer 
    had 

    he lived on. 

    Patrick Humphries 
    says in his newly 

    reprinted updated 

    Meet 
    on the Ledge book, 

    when Fairport began 
    their career 

    the Beatles 
    had barely 
    released Sgt. 
    Pepper, 


    let alone anthology. 

    Jimmy 
    Page was 

    still in the Yardbirds. 

    Jimi Hendrix 
    was still on the 
    planet. 

    And Elvis, 
    Elvis 

    had not yet left 
    the 
    building. 

    Well, 
    the first part 
    of our 

    story is over. 

    Ian Matthews 
    left and formed 

    Matthews Southern 
    Comfort, 

    who of 
    course had a number 

    one single with 
    Woodstock
    . 

    Sandy 
    left 
    to form 
    her own group, 


    Fathering Gay, 

    and 
    I left to 
    delve into 
    folk 

    rock even deeper, 

    in forming 
    Steel Eye Span. 

    CHEERING 

    Our tale 
    tonight 
    begins in 1970 

    with 
    a Birmingham 

    buddy of Swarbs 

    joining on the 
    bass, 
    Dave Pegg. 

    CHEERING 


    So 
    let's make 
    a start, 

    as we 
    need to fit 27 
    years 
    of music 

    into the 
    next 4 hours. 

    Fairport Convention, 

    the full house 
    line -up. 

    On 
    bass, 

    he's a groundbreaking 
    musician. 

    He takes my 
    breath away. 

    He started 
    the 
    fashion for 

    playing tunes, 

    you know, 
    jigs and reels 

    on the bass. 

    He started 
    the fashion 

    among 
    folk -rock bass 
    players for 

    baldness. 

    Every
    one 
    followed him, 
    including me. 

    Without 
    him, 

    and especially his 
    wife Christine, 

    none of us 
    would be here today. 

    This field 
    would 
    simply 
    be a convenient 

    toilet for 
    graz
    ing farm 
    animals. 

    Oh! 
    Correction! 

    Apart 
    from being a 

    convenient toilet 

    for grazing 
    farm animals, 

    this 
    field would be 
    empty. 

    Dave Pegg! 

    On 
    drums, 
    this man 
    has played 

    with the best 
    many, many times. 


    You want to know 
    if Sir 
    Paul McCartney 

    counts his 
    royalties 

    in his re
    cording studio 
    breaks? 

    Ask 
    DM. 

    You want to 
    know if Chris 
    Greer 

    still supports 
    Middlesborough 


    even though they 
    were 
    releg
    ated, 

    ask DM. 

    You 
    want to know if Mary 
    Chapin 
    Car
    penter 

    is any good at putting up wooden shelves? 


    Think about it, 
    ask DM. 

    From the 
    top of his 
    double paradiddles 


    to the bottom of his boom 
    -chuck
    a -chucks, 

    he is the king. 

    Let 
    me hear you welcome him, 

    Dave Mattox 
    on the drums. 


    On 
    rhythm guitar, 

    he may be the 
    grizzled old grey 
    -bearded 

    elder statesman 
    of Fairport 
    in 1997, 

    but to 
    me 
    he's still the 

    cheeky little kid 

    with an acoustic 
    12 -string 
    tech
    nique 

    to 
    leave his contemporaries 

    dumbstruck. 

    The baby of the 
    group 

    with 
    the oldest head, 

    the 
    broadest shoulders, 

    the widest vocabulary, 

    the 
    best 
    potential, 

    one 
    day he's gonna start 
    writing songs 

    and 
    then watch out 
    you singer -songwriters, 

    watch out. 
    Simon Nichol. 

    On 
    lead 
    guitar. 

    Everyone 
    has beat me 

    to 
    the book of superlatives. 

    If you 
    don't know that he's the 

    best songwriter, 

    the best 
    guitarist 

    and nearly 
    the best leg 

    great bowler 
    on the planet. 

    Where have 
    you been sleeping? 


    Richard Thompson! 



    On Fiddle, 
    the 
    maestro 

    when he joined 
    Fairport 
    all those years 
    ago, 

    it 
    was an honour to 
    have him in the group, 


    the most 
    influential fiddler 
    bar 

    none in this 
    country ever, 

    let 
    him know he's welcome, 

    Dave Swarbrick! 


    Fairport 
    Convention 
    1970, 

    the Full House line 
    -up. 


    Thank you very much indeed. 


    Welcome to Cropperdink. 

    We're 
    hoping this will be 

    our best 
    ever year, 

    and so far 
    it has been. 

    So 
    thanks all for 
    coming. 

    This is a song 
    which 
    Richard 
    and 

    Swarbrick wrote in 
    1970 

    before 
    they wised up 

    and left the band. 

    I'm afraid it was a 
    case of... 

    A 
    case of who'd have thought 

    it at the time, 

    but it 
    was musical differences. 

    They were 
    musical, we 

    were different. 

    That joke 
    courtesy 
    of the Bushbury Mountain 

    Daredevils. 

    Thanks guys. 

    So do 
    I. 

    And this 
    is a song called Walk 
    Awhile. 

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